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Flowers? Safe, but predictable. Chocolate? Tempting, but you could get in trouble with that. This Mother's Day, why not plan to make your gift a little more personal and long lasting? Plan to shoot a family portrait she can treasure for years to come.

Is your mother also a grandmother? And does she live far away? No need to worry. You can create a professional-level self-portrait of your family for her, too. And the whole production is simpler than you might think!


This lesson looks at some basic lighting and camera techniques for shooting classic portraits in your own home or on location. To see how to create a custom Mother's Day card, be sure to check out our follow-up lesson entitled, "Making Cards and Prints for Mother's Day."

(Most images can be clicked for an enlarged view.)

Topics Covered:

  • The Concept
  • The Test Shot
  • Adding an Umbrella Light
  • Adding Fill to the Shadows
  • Lighting up the Back Room
  • Comparisons
  • Coming in Tighter
  • One for the Grandmothers
  • Setting the Self Timer
  • An Outtake

Equipment Used:

The Concept
For this lesson, we asked our friend, Rohan, if we could document him taking Mother's Day portraits in his house for his wife, his mother, and his wife's mother. He was all for it, so the following weekend, we all met at Rohan, Kaela (his wife), and Ruby's (their daughter) house for the shoot.

When we got there, Kaela was reading a book to Ruby and Rohan thought that this might make for a nice portrait.

Figure 1

Figure 2

The Test Shot
To start, Rohan first walked around the room to see which camera angle he liked best for this shot. Once he found a general shooting frame, he placed one vase of tulips on a nearby side table and one in the room behind them for an added touch (Rohan came to this shoot prepared!)

When everything looked good through the frame, he decided to take a test shot with the built-in flash of his Olympus EVOLT E-3 activated, and with the exposure mode set to its Auto mode, P (figure 2).

Needless to say, Rohan wasn't thrilled with this first test shot. The light from the flash flattened everything out dimensionally (compare to previous set-up shot with no flash activated) and created a distracting shadow of Kaela's head on the back wall. Even the tulips look dismal in this shot (figure 3).

Figure 3

 
 

Figure 4

Adding an Umbrella Light
Next, Rohan decided to use strobe lighting to improve the quality of the lighting. He mounted a Photoflex StarFlash 300 strobe to a LiteStand, attached an ADH umbrella to it, and set the power output to about 1/3. After syncing the strobe to the camera via a Quantum FreeWire wireless transmitter and receiver, he placed the unit off to the side, about 5 feet high, and dialed in the following camera settings:

• Exposure mode: Manual
• Aperture: f/5.0
• Shutter Speed: 1/100th
• ISO: 100
• Focus: Manual
• Resolution: RAW

Once everything was dialed in, Rohan checked focus and took another shot (figures 4 and 5).

Figure 5

 
 

The result shows that the lighting is much more natural looking. Note the improved sense of overall dimension in Ruby and Kaela, the chair, and the tulips.

Figure 6

Adding Fill to the Shadows
After reviewing the result, however, Rohan decided that the right side of the frame was a little too dark and thought that a light reflector might help to bounce light from the umbrella into the shadows.

So next, he attached a 42" MultiDisc reflector to a LiteDisc Holder and LiteStand and set it off to the right of the chair with the Soft Gold side reflecting. Once the reflector was positioned where he wanted it, he took another shot (figures 6 & 7).

Figure 7

 
 

Reviewing the result on the back of the camera, Rohan saw that the LiteDisc created a nice, subtle fill that was most noticeable in the right side of the chair, and was now happy with the overall light levels and ratios in this room.

Lighting up the Back Room
The only distracting part of the shot for Rohan now was the back room, which seemed a little too dark for a Mother's Day portrait. So to balance out the light in that room, he set up another StarFlash/Umbrella Kit, positioned it to throw light from the left side of the room, and synced it to the camera (figures 8 & 9).

Once everything was in position, Rohan was ready to take a series of shots. He zoomed in a little tighter on the lens, made jokes with Ruby to get her attention, and started shooting. This one ended up being one of their favorites (figure 10).

Figure 10

 
 

The two umbrella lights and the reflector blended seamlessly with the daylight coming through the windows to create a beautiful Mother's Day portrait for Kaela.


Comparisons
Below, you can compare the result shots as Rohan developed the lighting (figure 11).

Figure 11

 
 

Coming in Tighter
Surprisingly, after these shots, Ruby was not quite ready to be finished reading. So Kaela selected another of Ruby's favorite books and started reading aloud. With the lights all ready to go, Rohan moved in even tighter and took another series of shots. Here is another favorite (figure 12).

Figure 12

 
 

One for the Grandmothers
Afterward, they all took a break from taking pictures, and Ruby decided she wanted to wear a different shirt for the next portrait. Ruby is such a professional (figure 14).

Figure 13

After Ruby let everyone know it was time for the next portrait, which would go to both of Ruby's grandmothers, Rohan decided to get himself in the shot as well. In order to do this, he mounted the camera to a sturdy tripod and activated the self-timer.

Once the camera was positioned where Rohan wanted it, he then set the timer. On the Olympus EVOLT E-3, there are two timer options: a 2-second timer and a 12-second timer. Rohan figured he'd need a few seconds once he pressed the shutter button to walk over and get situated with Ruby and Kaela, so he chose the 12-second timer option.


Setting the Self Timer
To set this timer option, press and hold down the MODE button on the top left of the camera. Then spin the front Sub dial until the 12-second timer option appears. Once it does, release the MODE button and then press the shutter button all the way down. From this point, you will have 12 seconds until the camera takes a picture (figure 14).

Once Rohan triggered the shutter button, he walked over and knelt next to Kaela and Ruby (figure 15).

With the lights in the same position as the previous portrait, the results looked just as well lit as before (figure 15).

Figure 16

 
 

Upon review, Rohan decided he also wanted to have a more "fun" version, in addition to this relatively "classic" version.

Ruby, at this point, was reaching her limit with portrait patience, and started to climb all over Kaela and the chair. Rohan decided to go with it and initiated another 12-second self-timed shot. This next shot caught Ruby and her parents in much more playful, relaxed poses (figure 16).

Figure 17

 
 

An Outtake
After the shoot, when Rohan was reviewing all of the images on his computer, he found one he'd taken in-between portraits that he really liked. Ruby had been playing with a tulip next to the chair. Rohan caught her attention, and as she turned around to look at him, he captured this image. It almost looks as though Ruby is looking for her mother so that she can give her this beautiful Mother's Day tulip (figure 18).

Figure 18

 
 



Notice how Rohan decided to crop this image into a perfect square. He did so because it made a nice composition, but he also thought it would tie in well with the layout of a Mother's Day card.

To see how to create a perfectly square crop quickly and easily, as well as how Rohan used these images to make prints and create his cards, be sure to check out our upcoming follow-up lesson entitled, "Making Cards and Prints for Mother's Day".

 

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